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Modern Bhutan is directed towards its development goals by nine guiding
principles conceived through the vision and foresight of His Majesty the
King. One of these principles is the "Preservation of Traditional
Art and Culture". Our long period of isolation and late entry into
the sphere of socio-economic development has offered us the opportunity
to examine the successes and failures of other nations and to learn from
these examples. We have realized that the key to maintaining our sovereign
and independent identity is the preservation of our unique traditions
and culture. With its small size and population, Bhutan does not have
the potential to become a political or an economic force but she does
have the potential to become a cultural force. We are one of the last
places on earth where ancient traditions arc still a way of modern life.
But, those traditions are being seriously threatened by the inundation
of modern ideas and space-age technology. The dilutor effects are most
visible in our houses. The import of modern materials and labor, the dependence
on modern technology, ignorance of traditional Bhutanese architecture
and the shrinking number of artisans have all contributed to the deterioration
of our traditional building styles and practices. Efforts have been made
to promote and incorporate traditional architecture with modern construction
methods and materials but results have not been encouraging, primarily
due to the absence of any formal guidelines. Bhutanese arts and crafts
in general and architecture in particular have always been informal arts.
While formal school for certain arts and crafts have now been established,
unfortunately architecture and building skills are still taught or learnt
informally through oral instruction and on-the- job training.
This book has been published as an attempt to revitalize a fading art
in addition to the documentation on Traditional Architecture published
in 1993 by the Department of Works and Housing. It aims to acquaint readers
with the correct structure and organization of traditional architectural
features and to provide guidelines in their usage in various types of
buildings. This guideline will form the basis for further research into
the area of Bhutanese architecture and will be revised periodically to
be more dynamic to adapt to the contemporary needs.
I sincerely hope that this book will serve both as a record of our historical
achievements and as a guide to our future generations. I humbly dedicate
this book to our beloved King, His Majesty Jigme Singye Wangchuck, for
the visionary leadership he continues to bestow on the Bhutanese people
and for instilling in us the value of our culture and the importance of
its preservation.

(Leki Dorji)
Deputy Minister
Ministry of Communications.
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